Director’s Note

When I first read ‘The Trial’ I was confused as to what the play was supposed to represent. Even to this day I will still read it over and over and each time come to a different conclusion. This was certainly something that Berkoff had aimed for when writing this adaptation, as although the play fundamentally focuses on the representation of society through the figure of Joseph K, this figure will speak differently to each audience member depending on their experiences of life. Therefore, upon reflection,  perhaps what makes the play so fascinating is that each person can interpret the plot, the characters and the events in their own unique way.

One of the greatest challenges of staging The Trial I have faced is creating a performance that is approachable and relatable to every audience member, without imposing my opinion onto the audience. One way this has been achievable is through the hard work and exploration of the play with my fellow company members. Like all the best things in life, it has been a challenge, but the final product has proven to be a show we can all be proud of.

This performance of The Trial has no grand gimmicks or design concepts; It is a production stripped back to the roots of what STAMP Theatre believe performance should be about; the actor, the audience, and the shared story. Created through the encouragement, innovativeness and passion of my fellow company members, this performance will be sure to have an audience engaged and entertained from start to finish.

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One thought on “Director’s Note

  1. Sian Emily Bateman

    I think your director’s note is clear and unique. I like the way you’ve reflected Peter Brook by exploring the idea’s of others to create something entirely new.

    Reply

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